JODI is the new project of Nick Levine of PINEGROVE. This is a more mellow & folky approach to the melodic post-Emo that PINEGROVE is known for. Fans of PINEGROVE, AMERICAN FOOTBALL/OWEN, DEATH CAB FOR CUTIE etc...will dig.

JODI is the new project of Nick Levine of PINEGROVE. This is a more mellow & folky approach to the melodic post-Emo that PINEGROVE is known for. Fans of PINEGROVE, AMERICAN FOOTBALL/OWEN, DEATH CAB FOR CUTIE etc...will dig.

1997 REMASTER - OUT OF PRINT by his own admission, this is the last good record he made..a sprawling double album that produced few hits but had the grand dame exploring new territories and falling on the side of cynicism and depression, oh-and a ton o'blow!!!

Debut album from NORAH JONES finds the artist in quite of a descriptive pickle. Yes, she is on Blue Note records and her voice is obviously influenced by jazz singers like BILLIE HOLIDAY, and DINAH WASHINGTON. At the same time, though it seems that she is equally influenced (musically speaking) by EMMYLOU HARRIS and JONI MITCHELL. The arrangements that are draped behind this young womans smokey voice are ones that ebb and flow between dust-like country, jazz and pop. At any rate it's a gorgeous debut, and there's most likely more to come from this new voice. Features: BRIAN BLADE, LEE ALEXANDER, BILL FRISELL, TONY SCHERR (SEX MOB, LOUNGE LIZARDS) and KENNY WOLLESEN (JOHN ZORN's MASADA, SEX MOB). R E C O M M E N D E D !

This is the Super Audio version which plays in most DVD players as well as in your stereo.

Day Breaks is in some ways a return to Jones' debut, but it's also the feeling of a new thing. Something you feel almost completely at home with right away, like it's always been there, even on your first listen.

Norah Jones returns with her second effort for Blue Note records after winning like 1,000,000,000 grammy awards for her debut record. Norah hasn't messed with her formula much for the 2nd record, but fans will not be dissapointed with this record. Features her take on Townes Van Zandt's "Be Here to Love Me", Tom Waits' "Long Way Home" & a re-working of Duke Ellington's "Melancholia" w/ new lyrics by Norah. Her simple approach to these songs & her originals are a refreshing in this era of pitchfixing & obnoxious over production. Overall, an excellent follow up & proof that Norah Jones is the real deal.

With the help of producer DANGER MOUSE, NORAH JONES injects her tuneful jazz pop with fuzz, psych, and trip-hop, coming on like a cross between Dusty Springfield and The Black Keys. To paraphrase Neil Young, this is Norah's "Ditch" album. Recommended.

WITH HORACE SILVER, ART BLAKEY, and CURLY RUSSELL